In tandem with our study of Writers’ Inner Voices – of which more is forthcoming very soon – we’re also asking readers about their experiences of voices and characters. We’ve had over 1000 responses thus far to our Readers’ Inner Voices study after it was profiled in the Guardian. If you’d like to contribute, you can do so here.
P.S. There’s no warmer welcome than a shout-out on the Guardian’s books blog. Follow the link to read the Guardian’s profile of the project.
The idea that writers “hear” the voices of their characters is a common one. Some writers even go as far as to claim that the characters that people their narratives seem to somehow write themselves: that they, the writer, are a mere conduit for voices that appear to have lives all of their own.
The aim of the Writers’ Inner Voices project is to try to understand writers’ and storytellers’ inner speech and the role that the inner voice or voices play in the process of literary creation.
Many writers – from William Blake, to Charles Dickens, to Joseph Conrad, to Philip K. Dick – have written or talked about experiencing auditory verbal hallucinations, or hearing voices that others cannot hear. The Writers’ Inner Voices project also aims to explore what relationship there might be, if any, between writers’ experiences and the experience of hearing voices.
During the 2014 Edinburgh International Book Festival, as part of the Conversations with Ourselves strand of events, we interviewed authors and storytellers about their creative process and finding out more about the ways that writers and storytellers imagine, hear, listen to and converse with the voices of their characters. You can read more about the project on the blog, where we documented our interviews with authors and storytellers during the festival.